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Tuesday, October 24, 2017

Review: Happy Death Day

Happy Death Day Poster
(imdb.com)
Slashers have, quite literally, been done to death. With the 90s overflowing with near identical takes on the subgenre and movies like Scream and more recently, The Final Girls, it seems there really was nowhere else for them to go. So, they've mostly disappeared - much to the disappointment of fans everywhere. But this year's Happy Death Day could very well lead to a resurgence of simple, yet effective humanoid killer film.

Following a sorority girl who is given the unique and outlandish opportunity to uncover her own killer by living the same day over and over, Happy Death Day is the Groundhog Day of slasher films. As the film progresses and the amount of suspects dwindles, her physical being takes a toll each relived day, eventually leading her to the hospital in a weakened state. Happy Death Day stars the particularly fantastic Jessica Rothe (La La Land), as Tree Gelbman. Other supporting cast includes the lovably plain Israel Broussard (The Bling Ring) as Tree's one-night-stand-turned-confidant, Carter, Ruby Modine (Shameless), as Tree's roommate, and Rachel Matthews as the Chanel Oberlin-esque sorority queen, Danielle.


Happy Death Day is first and foremost, pure entertainment. Thrilling, brashly funny and brimming with strong performances from young stars, the flaws of the film are easily overlooked. Rothe's ability to dart cold, dead stares at anyone she dislikes, Broussard's endearing nice guy and even the comic relief provided by Matthews, all make for a film that's delightfully sinister. It's horror comedy done right. There's small inflections of camp, some exciting fight scenes and a plot line that provides enough meat to stay interesting.


The single flaw in this film is in its logical. While mostly sound, some parts feel tossed in and hastily thrown together. For instance, the accrual of injuries, as suggested by internal wounds found on a life's trip to the hospital, never explain how she survived being burned alive in one evening. Additionally, the blind acceptance of the multiple chances to save herself is a huge expectation by the filmmakers, with little legitimacy. But, if other film's like the aforementioned Groundhog Day can get away with this logic, why shouldn't Happy Death Day?


Happy Death Day has a mass-appeal quality about it. Never venturing too far into the horror genre, its gimmicky base and near-perfect execution should give any viewer something to enjoy. The few plot holes are easily overcome, and Rothe deserves a lot of recognition as the film's compelling star. Happy Death Day feels fresh. Its presentation is a rare and special package that should leave audiences wanting more from the entire team. 7 out of 10.

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