Review: The Babysitter

(imdb.com)

For as long as horror movies have been around, the fear of the outsider coming into a home has existed. Whether it is a step-parent, a salesmen or a babysitter, horror movies have made quite a market for suspicious guests and their terrifying actions. More recently, movies like Orphan and Emelie fought to ensure that audiences were more cautious when letting others into their homes, and the latest Netflix original, The Babysitter, attempts to do the same.

The Babysitter follows a young (?) boy and his eventful night with a babysitter he is secretly in love with. Left far too frequently by his out-of-love parents the boy has a uniquely close bond with the teenager (?). That is until he discovers that after bedtime, his guardian is actually involved in occult rituals with friends. The Babysitter stars Judah Lewis (Demolition) as Cole, the charge of Bee, played by Samara Weaving (Monster Trucks). Supporting cast includes Emily Alyn Lind (Enter the Void), young scream queen, Bella Thorne (Amityville: Awakening), Hana Mae Lee (Pitch Perfect), Robbie Amell (ARQ), and Andrew Bachelor (Meet the Blacks).


Each of the characters is awkward and poorly established. Weaving is the only bright spot in a film brimming with poorly timed jokes and bad acting. Lewis seems uncomfortably old to have a babysitter and even more so to have a bunch of Tonka trucks lying around. He's simultaneously pubescent and prepubescent in his character development. Coming across as at least a young tween, but with room décor, style sense and a lack of agency, he is childish and awkward to connect with.


A veneer of camp attempts to cover the mediocrity and low-brow, immature humor exhibited in The Babysitter. The gore is gratuitous but is neither entertaining nor sickening. Instead, it looks like a Disney Channel film gone PG-13. It's hard deciphering who this film is meant for. The filmmakers seem to have wanted a film meant for a young adult audience, but the cast never has enough of an edge, the humor is neither smart nor naturally obscene enough to warrant interest.


The Babysitter a grossly dated coming-of-age film that's more cringe than spirited. Perhaps if The Babysitter had a clearer direction, better writing and a premise that didn't feel obnoxious, there'd be something redeemable. But, the fact of the matter is, this movie, its dialogue and the tossed together ensemble of zero-chemistry actors leave a bad taste. 3 out 10.