Review: Leatherface

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Family drama is a treasure trove of material. So many movies feature it in some form; financial issues, relationships and lies and deceit all culminate into endless tales that can be used to compel audiences. Perhaps none other has capitalized on this more than the Texas Chainsaw Massacre. With cannibalism, inbred behavior and crazed mental stability, the Sawyers are an outlandish enigma of interwoven insanity. But, when your family is as messed up as Leatherface's, why would anyone ever think the material would stop churning out?


Featuring a pretty stellar cast and a core that feels reminiscent of Texas Chainsaw Massacre II, this origin story follows what is presumably the first major stint and escape from a mental institution for the titular killer and his cohort of chosen family. The star of the movie is undoubtedly Lili Taylor (The Conjuring) who plays the struggling and disturbed matriarch of the family, Verna. Flanked by a cast of young stars, including Sam Strike (M.I. High) as Jedidiah, the inmate and eldest son, crazed patients Ike, played by James Bloor (DCI Banks), Clarice, played by Jessica Madsen, and Bud, played by Sam Coleman, Leatherface makes out well with its determined psychopathic characters.


The film does suffer from a lack of overall clarity. The time cuts throughout seem spliced together with little follow through and the established twist only comes together through gathered context, rather than established storytelling. There are also some parts that seem relatively nonsensical and over-the-top, but this is, of course, a movie in a franchise known for its insanity. Unfortunately, when insanity become clutter, it's hard to make it past.


Despite its flaws, Leatherface does succeed on a number of levels. It's young and driven cast is entertaining enough. Additionally, this movie is nostalgia galore; there plenty of inspired scenes that haven't been brought out of horror convention storage for years. The asylum escape, plenty of cheap gore and the birth of an icon all provide enough to keep audience attention. This movie makes the most of its low-brow entertainment, while also portraying its characters as something deeper than other movies have gone. Is this a disservice to the original? Maybe, but it also makes the depraved Sawyers compellingly bad people, regardless of what injustices have been acted against them.


Leatherface isn't the greatest horror film of the modern era, or even this year. But it is a thrilling romp reminiscent of movies like The Hills Have Eyes remake. It's cheap, crazy fun. The cast is all committed - Taylor is especially - and there's a lot to love about this old-fashioned inbred-led cannibal film. 6 out 0f 10.

Review: Found Footage 3D

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Found-footage filming gives new filmmakers a chance to make big movies on a low budget. For years, the increasingly saturated subgenre has inundated the horror industry with an onslaught of flack, recently dying down to complacency and general acceptance. The fact is, found-footage films are easy to consume and can actually be scary. But for some, the filming method will always be unworthy. These critics would argue that found-footage has been done to death. Jumping onto that trend is Found Footage 3D; a film that is ironically found-footage and only sometimes as aware as it wants to be.


Written and directed by Steven DeGennaro, Found Footage 3D follows a group of friends destined for a cabin to film a cheap horror film. Once there, they find out that the cabin is haunted and what was originally supposed to be just a movie, is something far scarier. It stars Carter Roy (Refuge) as the lead actor and creator, Derek, Alena von Stroheim (Hacker's Game) as Derek's ex and costar, Amy, Chris O'Brien (Tenured) as the videographer, Mark, Jessica Perrin (A Song for Danny) as a production assistant, and Tom Saporito (Best Day Ever) as the film's director.


For a movie that presents itself as such a transcendent art piece, there's plenty to critique. Outside of it's innovative, yet gimmicky 3D production, Found Footage 3D borrows a lot from other horror films. Reminiscent of superior movies like Sinister and Hell House, LLC, the awareness in this film is often exchanged for jump scares and borrowed sequences. Attempting to build some satirical approach to found-footage films, Found Footage 3D is a send up of tropes and conventions that succeeds only to lukewarm degrees. Embedded into the film is a deep disdain for the very kind of movie that's being made, and while the attempt might be made to ensure that it's the fictional characters within the movie who hate the subgenre and not the filmmakers, there's an air of self-loathing and condescension.

The biggest problem is that Found Footage 3D takes a lot of shots at other movies but never really does much to exceed expectations. Calling out a mere pair of found-footage films as adequate, the filmmakers ignore plenty of other progressive and scary products in the subgenre. Movies like Unfriended may not appeal to everyone, but at least they're inventive in their storytelling and camera work, and others like As Above, So Below may be flawed, but at least at their core they're scary. The fact is that for something so aggressively conscious, viewers would think the resulting plot and ploys would be terrifying and accomplished, not bland and only occasionally scary.

Found Footage 3D comes across as an excuse for the filmmakers to bemoan a successful subgenre while seeming perceptive. But, the resulting film isn't much more than a glass house occupant throwing a lot of stones. There's some good scares and the characters have a lovable potential, but the constant struggle to identify itself as a superior film all leave Found Footage 3D  feeling quite pompous. 4 out of 10.

Best in Show: Saw Franchise's Feistiest Fighters (Pt. II of II)

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5. Mallick (Saw V) - Fire Cover Up Group
While initially shaken by the situation, Mallick quickly turned into a character viewers could root for. An addict in need of salvation, Mallick was placed among the Saw V group of schemers and scammers for essentially causing the fire that led to the cover up. Mallick definitely had some wavering moments, but his ability to outlast, guided by Brit, lead to his salvation. His ultimate willingness to follow through on plans and never back down are inspiring and horrifying at the same time.


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4. Xavier Chavez (Saw II) - Nerve Gas House

Saw II had plenty of haphazardly stumbled through the nerve gas house just praying they'd survive. Their meekness, weakness and general unwillingness to actively follow through led to many of them succumbing. The fact is outside of Amanda Young and Daniel Matthews who stood out for their partnership, Xavier Chavez was the only real potential survivor. Easily one of the series most villainous characters, Chavez was brutal and fully willing to do anything it took to live. He openly criticized, manhandled and eventually attacked the others in the home. He also scores additional points for figuring out the code to escape.

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3. Lynn Denlon (Saw III) - Shotgun Collar

Using her intelligence to defy all expectations, Lynn Denlon was the star of Saw III. Wearing a shotgun collar, the doctor was charged with operating on Jigsaw, all while a crazed Amanda Young stood by anxious and aggressive. However, Denlon's calm demeanor and ability to charm kept her on Jigsaw's good side and eventually, succeeded in her task. Unfortunately the increasingly unhinged Young cost her everything and blew her own test in the process; killing the empowered Denlon in the process. Denlon was one of the most intelligent and poised in the franchise and deserved more than her sad end.

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2. Brit (Saw V) - Fire Cover Up Group

Instantly acting as the more level-headed, driven partner of Mallick, Brit is one of the series more underrated characters. She was able to make it to the end with little to no help from others and near consistently kept her cool. She's a rare leader in a collection of more sheepish characters. Her awareness, determination and aggression all help her survive in the end. While Mallick may have been a surprise survivor, no one should have ever doubted that Brit would walk out in the end.

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1, Allison Kerry (Saw I, II, III) - Angel Trap

Similar to Daniel Rigg, Allison Kerry is often ignored in the pantheon of great Saw characters; this supporting protagonist actually had quite a run in her. Not only did she eventually go all in on her trap, but this perceptive detective drew conclusions and made decisions others ignored or couldn't make. Had it not been for an unbeatable trap, Kerry probably could have become an impressive force against Jigsaw and his network of minions. She's a bit relentless, but engaged in her career, she's a perfect character who- like Denlon - had a future. You know, if Amanda hadn't unfairly worked to take it away.

Best in Show: Saw Franchise's Feistiest Fighters (Pt. I of II)

With Jigsaw coming out on the 27th, horror fans everywhere will surely crowd to theaters to see if the creators have been able to recapture the glory of the gory and over-the-top franchise. Nostalgia runs deep in the franchise that led many audiences through their teen years, and in this, characters like Amanda Young, Jill Tuck, Mark Hoffman and Lawrence Gordon are sure to remember. Their perseverance, trickery and sometimes, villainy have turned them into the faces of the series. But what about the more minor characters - the fierce and combative survivors and victims who gave their all in their limited screen time? That's what this list is dedicated to: the feistiest fighters in the Saw series. Whether they lived, or they died, these non-essential characters gave their all to make it one more day.

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10. Morgan (Saw IV) - Spike Trap

Maybe not the strongest character, but this middle-aged woman was quite determined to survive. Not only was she forced to overcome the traumatic abuse caused by her husband, but she also had to drag giant rods through her body. She's a really interesting character even if her role is minor, because she is a true survivor. Her years of wearying experience amassing around her, her will to live eventually grant her the power to overthrow them. Her story is heartbreaking, her determination inspiring and her ending, at least relatively happy.

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9. Simone (Saw VI) - Pound of Flesh

Who would have thought that winning a reality shows would lead to such a memorable minor role in a Saw film. But, Tanedra Howard's winning performance in VH1's Scream Queens, proved that the aspiring actress could carry her own in a series overflowing with forgettable blood and guts. Her blind willingness to take on her money lender partner, Eddie, with such conviction is pretty impressive. While he chops away at pieces of flesh, she cuts off her arm in a grotesque scene of courage and pure adrenalin - iconic.

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8. Daniel Matthews (Saw II) - Nerve Gas House

Some may suggest that Daniel Matthews, son of Detective and main character Eric Matthews, was somewhat dragged to the end of Saw II. Especially given the assistance of Amanda Young, it's easy to overlook this teenager's perseverance. But, for all his lack of big, swift decisions, is a really young kid who manages to outlast a bunch of full grown adults. Matthews goes through a huge ordeal in the trap his father indirectly led him into. Paying for the sins of a parent is hard, surviving it all should have been impossible.

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7. Daniel Rigg (Saw II, III, IV) - Saw IV Series

Daniel Rigg never truly got the chance to shine. Sure his major role in Saw IV helped him build a presence, but by that point his constant appearance meant nothing but bad news. He's truly one of the more morally superior characters to grace the series and despite eventually meeting his end by not following directions exactly; he manages to save a few lives. Rigg is one of those characters who, in the long run of the series is quickly overlooked for bigger names who carry over to multiple films. But, in Saw IV he is the star and deserves to be recognized as such.

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6. Debbie (Saw VI) - Steam Maze

Did Debbie last very long? Maybe not. But in her defense, she managed to make it through her entire trap before being tripped up by an additional twist. Easily one of the most all-in victims in Jigsaw's games, Debbie absolutely loses it, showcasing her level of tenacity. Debbie is one of the franchises greatest raging psychopaths. The flames in her eyes are brighter than any flames in the boiler room she finds herself in, and by the time her impending death finally hits her, it's an explosion of intensity.

 

Review: Creep 2

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In terms of cultivating a truly disturbing horror movie, sometimes practicality is scarier than fantasy. Slasher films have utilized this aspect for years; giving their killer some supernatural powers, but ultimately grounding them in reality. Found-footage films employ similar techniques to make the movie feel realistic and scarier, and while they've been done over and over again, their effectiveness has barely dwindled. Melding slasher and found-footage, with a product that feels almost too real, is Creep and its new single, creatively named Creep 2.

Once again starring Mark Duplass (Togetherness) as the titular Aaron/Peachfuzz the Wolf, Creep 2 amps up the first's premise and expands the serial killer's mythology. When videographer Sara, played by Desiree Akhavan (Appropriate Behavior), goes searching for a new story for her Craigslist ad-based web series, "Encounters," she stumbles into the demented world of Aaron. Promising to not kill Sara, Aaron asks the fame-chaser to film him and document his sinister tendencies.


Once again, Duplass is the star of the show. But, the addition of the equally daring Sara is a welcome change of pace. Akhavan plays her part well; fully committing to the more strained, yet willing participant in Aaron's games. Her Sara is truly special in that she recognizes all Aaron could offer her, while acknowledging the toll. She's aware, but overcome by her desire to achieve and her ability to go toe-to-toe with Aaron is great viewing.


Creep 2 is undoubtedly a slasher. Leaning into the subgenre's inevitable continuity, this sequel comes across as - at the very least - as well thought out. As bitingly uncomfortable and disconcertingly comedic as the original, Creep 2 is easily one of the more impressive sequels  to be released in the horror industry, Throughout its run, anyone and everyone can expect to be completely shaken by the pauses of silence, distant stares and odd rituals of a man who is clearly unhinged.


Is Creep 2 necessary? Maybe not. But, for what it's worth, it's a hell of a ride and one you won't be quick to forget. It's a deeply unsettling character study of a fictional serial killer and the victim who may be crazier than him. It's a film that elaborates on human's blind ambition and the conflict we face when our goals converge with others opposing ideas. Creep 2 is twisting and dark, and completely worth every moment. 8 out 10.

Review: Happy Death Day

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Slashers have, quite literally, been done to death. With the 90s overflowing with near identical takes on the subgenre and movies like Scream and more recently, The Final Girls, it seems there really was nowhere else for them to go. So, they've mostly disappeared - much to the disappointment of fans everywhere. But this year's Happy Death Day could very well lead to a resurgence of simple, yet effective humanoid killer film.

Following a sorority girl who is given the unique and outlandish opportunity to uncover her own killer by living the same day over and over, Happy Death Day is the Groundhog Day of slasher films. As the film progresses and the amount of suspects dwindles, her physical being takes a toll each relived day, eventually leading her to the hospital in a weakened state. Happy Death Day stars the particularly fantastic Jessica Rothe (La La Land), as Tree Gelbman. Other supporting cast includes the lovably plain Israel Broussard (The Bling Ring) as Tree's one-night-stand-turned-confidant, Carter, Ruby Modine (Shameless), as Tree's roommate, and Rachel Matthews as the Chanel Oberlin-esque sorority queen, Danielle.


Happy Death Day is first and foremost, pure entertainment. Thrilling, brashly funny and brimming with strong performances from young stars, the flaws of the film are easily overlooked. Rothe's ability to dart cold, dead stares at anyone she dislikes, Broussard's endearing nice guy and even the comic relief provided by Matthews, all make for a film that's delightfully sinister. It's horror comedy done right. There's small inflections of camp, some exciting fight scenes and a plot line that provides enough meat to stay interesting.


The single flaw in this film is in its logical. While mostly sound, some parts feel tossed in and hastily thrown together. For instance, the accrual of injuries, as suggested by internal wounds found on a life's trip to the hospital, never explain how she survived being burned alive in one evening. Additionally, the blind acceptance of the multiple chances to save herself is a huge expectation by the filmmakers, with little legitimacy. But, if other film's like the aforementioned Groundhog Day can get away with this logic, why shouldn't Happy Death Day?


Happy Death Day has a mass-appeal quality about it. Never venturing too far into the horror genre, its gimmicky base and near-perfect execution should give any viewer something to enjoy. The few plot holes are easily overcome, and Rothe deserves a lot of recognition as the film's compelling star. Happy Death Day feels fresh. Its presentation is a rare and special package that should leave audiences wanting more from the entire team. 7 out of 10.

Review: Jungle

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Danger brings out plenty of the human spirit. When a life is threatened, the distance one would go to save others and survive is often surprising. From mothers lifting cars to save children to those lost in the woods surviving on nothing but a few drops of water, humans are harrowing creatures. That's why extreme survival films are so intriguing. People are compelling by others' insane feats. It's a shame, however, that the latest journey of human accomplishment in dire situations, Jungle, underwhelms.

Based on a true story, Jungle finds four friends tasked with surviving in the Bolivian jungle after an accident, this film attempts to blend thriller and adventure genres for something that never quite goes far enough to be interesting. Following the account of Yossi Ghinsberg, played in this film by Daniel Radcliffe (The Woman in Black), Jungle also stars Alex Russell (Chronicle) and Joel Jackson (Mother's Day Evil) as Ghinsberg's close friends, and Thomas Kretschmann (King Kong) as their mysterious tour guide.


Each of the men does a great deal of legwork to make the most of a pour script and shallow character development. Between Radcliffe's intricate accent and ability to convey he pains felt by Ghinsberg, and the perfectly acted out bickering of Russell and Jackson's supporting characters, you'd think these characters would feel more realistic. But, something simply doesn't connect. Each feels unreal and bland outside of their listed qualities. Then there's Kretschmann, who makes a valiant effort to be realistic, but comes off as pure fiction. He's a caricature of expedition guides, even wearing typical, costume-like attire.


One of the biggest disappointments in Jungle is its bland execution. With plenty of sequences that should induce gasps from the audiences, one would think the film would be more thrilling. But, in an effort one could only surmise as trying to stay realistic, the horrors of the Amazon feel timid. The adventure flick Jungle could have been and the horrific survival plot it should have had, all culminate into one missed opportunity. Sure, Jungle is visually stunning, but that's about it.


Jungle has flickers of inspiration. It does. But, it also never follows through with those, instead committing to a wide variety and plethora of minute mishaps like quicksand and animals scared off by a single burst of flames. All of this diffuses any tension built; creating a product that is less fantastic and more mediocre. 4 out 10.

Best in Show: Creepy Cults (Part II of II)

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5. Rosemary's Baby

While a less showy film about cults, Rosemary's Baby is a sinister take on neighborly tenants. Spooky and drawn out, this film amasses tension for an end reveal that viewers will see coming, but will still be scared by. There's simply not much to say that hasn't been said about this film and the cult at the center of it. The Castevet's are perfectly disarming, Mia Farrows' Rosemary, perfectly acted and by the film's end, you'll appreciate the masterpiece before you.

  

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4. The Wicker Man

The Wicker Man is a surprisingly jovial horror movie. Bursting with Celtic tunes, dancing townspeople and colorful costumes, the insane ending may come as a shock to those unaware of the film prior. A certifiable cult classic that also happens to be about a cult, the cheeriness exuded by characters in The Wicker Man is odd but relatively innocent feeling. However, as the plot transgresses, the dark pit at its center grows and hardens. Despite a failed remake starring Nick Cage, this story deserves a proper reboot.

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3. Last Shift

Stuck watching a derelict police station on her first day, Officer Jessica Loren's quiet, but creepy night becomes quite the downward spiral. From creepy happens to ghoulish images, the ghostly cult members that haunt the station are nothing short of heart-stopping. Easily one of the scariest indie films ever, Last Shift is a must see. It's gritty, gory and everything that a haunted house movie should be. Whether a fan of jump scares or horrifying atmosphere, Last Shift has it in spades.

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3. Children of the Corn

A classic Stephen King adaption and perhaps one of the most iconic groups of scary kids, Children of the Corn is an endeavor on the gullible group mentality of children. As they follow "He Who Walks behind the Rows," the group led by Isaac Chroner, systemically remove the adults in the town as part of a human sacrifice. Ridiculous in its premise but terrifying in its execution, Children of the Corn showcased a certain strength and perseverance of children when threatened.  

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1. The Sacrament

The Sacrament does little to hide its ending. Opening with a photographer casually discussing his sister's involvement with a commune, a group of investigative friends go searching for answers only to find disaster. Timelier than ever, the media-hating, grounded story of this religious organization feels more realistic than some documentaries. Suspicious and filled with awkward exchanges, The Sacrament will make your skin crawl, only to rip it out in the end. It's the kind of movie that'll stick with you for some time. Though it all seems rosy, this film does little to appeal to organized religion and uncovers the deeply rooted issues within congregations, especially those buried in desolate regions.

Best in Show: Creepy Cults (Part I of II)

Humans are pack animals. Despite common notions of autonomy, the vast majority of people on earth are dependent on others. Whether for social exchange, physical dependency like food or to help make ends meet, friends, family and even strangers are necessary in our day to day lives. But, when people get a little too close, a little too exclusive, problems erupt. In cults, codependency takes on a new and sinister tone; something that is very often exasperated in horror films. This week's list looks at the scariest horror movies following cults.

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10. Faults

Part comedy, part deceptive thriller, this taut film follows a cultist deprogrammer and his latest case, a young woman who is buried deep in the mythology of a cult called Faults. Twisting, dark and at times, funny, Faults is a masterful blend of unsettling tension and compelling storytelling that'll leave viewers questioning their own perceived reality. Faults is a movie that feels realistic, despite later questionable flickers of the supernatural. Its end twist is also one of the greatest, if even just slightly predictable, in modern cinema.

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9. The Void

While not central to the creature-feature explosion that is The Void, the sheet-adorning cult in this film is absolutely terrifying. With no distinguishable feature separate from a triangle on their face, these poorly costumed ghost men imbued a creep factor complimented by a confrontational ferociousness. Retro, yet scarily timeless, these strange characters sought the end of the world and were willing to do anything to make it happen; they're inhuman nature and complete lack of motive only adding to the fear factor.

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8. The Conspiracy Conspiracy is a dangerous topic. Divisive and engulfing, the rabbit hole created by mostly unfounded suggestions and beliefs can lead to insanity and trouble for both the accused and accuser. Perhaps this is what makes 2012's The Conspiracy is so terrifying. A brooding and investigative Canadian found-footage film, The Conspiracy follows a pair of filmmakers seeking to uncover the truth about a mysterious organization named Taurus. Their investigation - as predicted - leads to quite the discovery that'll leave the duo changed forever. Ending on an open note and with little closure of what actually happened in their footage; The Conspiracy will leave audiences guessing.

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7. The House of the Devil In this 80s styled horror film following a caretaker who ends up in the middle of an occult ritual, the scares come bursting with fire. Demonic images, gory violence and funky music make up this indie darling. Directed by Ti West and featuring a fantastic performance by Jocelin Donahue, this movie doesn't feature the most interesting satanic cult, but it is one of the scariest. While oddly practical in their beliefs and brutish nature, each is only slightly off. That is, except for the horrifying creature-like leader with a cat face and a pension for old relics.


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6. The Invitation 

The Invitation is a  slow-burning and quite movie. Constantly bubbling like a volcano about to erupt, this movie has gained quite the following and critical acclaim. For good reason, too. The Invitation begins as an everyday, awkward dinner party but quickly unravels into something more unsettling. It's a thriller that unfolds in such a way that viewers will be engrossed in the haunting lights and faces of the dinner guests. Brimming with tension, this movie ends with quite sharp bangs and an even sharper reveal. It is deserving of every accolade it received; for its cast, crew and plot, simple but intricate.

Review: The Babysitter

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For as long as horror movies have been around, the fear of the outsider coming into a home has existed. Whether it is a step-parent, a salesmen or a babysitter, horror movies have made quite a market for suspicious guests and their terrifying actions. More recently, movies like Orphan and Emelie fought to ensure that audiences were more cautious when letting others into their homes, and the latest Netflix original, The Babysitter, attempts to do the same.

The Babysitter follows a young (?) boy and his eventful night with a babysitter he is secretly in love with. Left far too frequently by his out-of-love parents the boy has a uniquely close bond with the teenager (?). That is until he discovers that after bedtime, his guardian is actually involved in occult rituals with friends. The Babysitter stars Judah Lewis (Demolition) as Cole, the charge of Bee, played by Samara Weaving (Monster Trucks). Supporting cast includes Emily Alyn Lind (Enter the Void), young scream queen, Bella Thorne (Amityville: Awakening), Hana Mae Lee (Pitch Perfect), Robbie Amell (ARQ), and Andrew Bachelor (Meet the Blacks).


Each of the characters is awkward and poorly established. Weaving is the only bright spot in a film brimming with poorly timed jokes and bad acting. Lewis seems uncomfortably old to have a babysitter and even more so to have a bunch of Tonka trucks lying around. He's simultaneously pubescent and prepubescent in his character development. Coming across as at least a young tween, but with room décor, style sense and a lack of agency, he is childish and awkward to connect with.


A veneer of camp attempts to cover the mediocrity and low-brow, immature humor exhibited in The Babysitter. The gore is gratuitous but is neither entertaining nor sickening. Instead, it looks like a Disney Channel film gone PG-13. It's hard deciphering who this film is meant for. The filmmakers seem to have wanted a film meant for a young adult audience, but the cast never has enough of an edge, the humor is neither smart nor naturally obscene enough to warrant interest.


The Babysitter a grossly dated coming-of-age film that's more cringe than spirited. Perhaps if The Babysitter had a clearer direction, better writing and a premise that didn't feel obnoxious, there'd be something redeemable. But, the fact of the matter is, this movie, its dialogue and the tossed together ensemble of zero-chemistry actors leave a bad taste. 3 out 10.

Review: The Crucifixion



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Religion and horror go hand-in-hand. From exorcisms to home blessings, clergy play a role in a great many of films and while many of these movies have entered a repetitive territory, filmmakers are constantly looking for new ways to bring in religion. Movies like Deliver Us from Evil brought a more detective mystery vibe and The Exorcism of Emily Rose made the court proceedings take center stage. Following this direction and more closely related to the latter, is The Crucifixion.

Following a young journalist investigating the death of a nun in what appears to be an exorcism gone wrong; The Crucifixion valiantly attempts to join the reconstruction of the exorcism subgenre with flairs of blame placed on mental illness and poverty. The story, which eventually finds our lead, Nicole, played by Sophie Cookson (Moonfleet), face-to-face with something truly horrific, works best when grounded in tense, atmospheric horror but the inclusion of an array of supporting characters muddles the existing ones development. Nicole is unapologetically smarmy and career-driven, she's a welcome change from the reactive female characters in horror before her, but ultimately not that compelling.

The fact of the matter is, The Crucifixion isn't as complicated as it would seem, nor as successful in its execution. While it traverses new territory with a fresher concept, it never fully invests in its characters or spins a story interesting enough to warrant its existence. Among the drama that unfolds, there are some effective scares, but even these aren't enough to overcome a plot that rambles on.

The Crucifixion does its best to be its own story but definitely falters into familiar territory. For an indie, smaller release, it's definitely more impressive than other releases this year. But, when so many horror films are breaking new ground or maintaining conventions, but providing excessive scares, The Crucifixion is watchable, but easily overlooked and even more easily forgotten. 4 out 10.

Best in Show: Quick Binge Television (Pt. II of II)

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5. The River (ABC)

In one of the most outlandish, yet adventurous shows in recent memory, ABC's The River brought found-footage to television. Set in the Amazon, this one-season series was an underrated gem that may be gone, but shouldn't be forgotten. Beset at the disappearance of her travel show-hosting husband, Tess Cole and her son, Lincoln, travel to the jungle and become deeply involved in a swirling - and terrifying - mystery. Although sometimes chaotic and misguided, The River deserved better than its raw deal and is a short, must-see for fans of the subgenre.





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4. Harper's Island (CBS) Fleshing out a slasher plotline into an entire series can be a harrowing task. Whether it’s the difficulties around establishing enough worthwhile characters that are loved, but also expendable, or creating an interesting enough mystery to keep audiences interested. This subgenre has found some interesting results on television. In shows like Slasher and MTV's Scream, the success and horrors have been limited, often oversaturated in melodrama between protagonists. But, in Harper's Island, rampaging murder found its home. Grossly underrated with an end twist that would shock even the mo0st diehard Lost fans, Harper's Island floundered in ratings, despite its fantastic premise, terrific cast and engrossing death scenes.

3. American Horror Story: Asylum (FX)

Largely regarded as one of the best American Horror Story seasons, Asylum brought Ryan Murphy's cast and crew to an insane asylum for the critical hit's second installment. Deeply terrifying, this season featured everything from religious themes and slasher aspects, to odd sciences and aliens. Perhaps too stuffed with, well, everything, Asylum seemed to be in a constant, entertaining identity crisis. With all the well-done and intersecting plethora of subplots, there was something for everyone to love, but also something for everyone to hate. And, while there are some messy critiques to be made, the end result was something totally original, compelling and horrifying.

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2. The Enfield Haunting (Sky Living)

Before The Conjuring 2 swept the box office and won over critics with its own retelling of the infamous Enfield Poltergeist, Sky Living's miniseries, The Enfield Haunting, shook UK viewers to their core. Scary and well told, this controversial story is executed with great precision. It's dark and brooding atmosphere is sure to chill bones and it's action packed 3-episode layout makes it feel like a long, but terrific movie. Those who missed it on the first go around should do all they can to locate it and watch. It's a strong, forceful rendition that challenges the prowess of Wan's creation.

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1. American Horror Story Murder House (FX) 

American Horror Story: Murder House helped herald in a new generation of horror television. While other programs existed and will continue to exist years after this fantastic creation, nothing will ever touch the pure surprise of Murder House, its amazingly accomplished cast and the heart and devotion to horror that rests in this shows core. Easily one of the scariest installments of the series and by far the best laid out, Murder House exceeds as a horror show and a moving and compelling piece. Near flawless in its execution, each character, visual and scare were thoughtfully put together to create something all could enjoy. Even when the going gets a little gory for some, it always wrapped back to something mass audiences could know and love. Murder House is something that'll never be recreated or recaptured. It was a fleeting moment, but one that'll be remembered for years to come.

Best in Show: Quick Binge Television (Pt. I of II)

For years, horror television has been on an upward climb to the top of entertainment. Shows like The X-Files and The Walking Dead have amassed large, dedicated fan bases, while older classics like Are You Afraid of the Dark? and The Twilight Zone continues to sparkle in the back of our minds. But, the former are long-running and if behind, near impossible to catch up on, while the latter are great on single watches, but are episodic anthologies that don't need your love or adoration for the consistent characters. That's why this week's list covers shorter series (vague term, oh well) that you can sit down and watch in, say, a week. Miniseries, limited series and concluded shorter series are all included to ensure, no matter the time constraints, there's something to watch and invest in.


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10. Channel Zero: Candle Cove (SYFY)

With the release of the follow-up to the limited series recently debuting, there is simply no better time to watch the self-contained 6-episode SYFY original, Channel Zero: Candle Cove. With terrifying puppets, some great camera work and cinematography, this series builds a spooky atmosphere that'll engross viewers more every episode. It's loopy and twisting plot is odd, but will maintain interest and while some of the acting is a little mediocre, the characters and story are all entertaining enough to keep it all worthwhile.

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9. The Exorcist (FOX)

The second season of this FOX television show has just started airing, but left behind are much of the original cast and story first featured. The first season is a call back to horror classics, most namely The Exorcist of which it considers itself to be a direct sequel of. The second season will continue the unraveling story of two central characters, but their move to a different home and family will surely make the first season feel terrifically separate. The first season is arguably largely underrated, as it keeps a firm line in mainstream horror territory, rather than taking the plot in an action, drama or arthouse direction. Sure, there's a central family that'll tug at the heartstrings, but this show isn't made for anyone other than horror fans, and for that, we should be appreciative.

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8. Dead Set (E4 - now on Netflix)

Based on the British version of the reality show, Big Brother, this 5-episode series brings the zombie apocalypse to a group of hopeful reality stars trapped and cut off from the outside world. When things start to go haywire, it's pretty clear that something is wrong, but for our \contestants, what exactly is happening begins as a mystery. This show is gory, sometimes a little comical and with a fantastic turn by breakout star, Riz Ahmed (The Night Of), it's a must-see.

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7. American Horror Story: Roanoke (FX)

Despite its complex premise, this UnREAL-like season of American Horror Story, is one of the most organic and straightforward of the season. Featuring a sleuth of actors, characters and actors who played characters, this show-within-a-show is creative, and honestly scary. With some cheap jump scares, some terrifying tension and an unravelling plot that leaves a bloodbath in its wake; Roanoke was a welcome change from the limited series' convoluted artsy years.

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6. IT (ABC)

Before Bill Skarsgard took over as Pennywise the Dancing Clown, Tim Curry starred as him in the iconic IT miniseries. While its graphics are dated and the plot gets a little off the rails, this ABC series gave viewers plenty reason to be afraid of the dark. Featuring an equally absurd and horrifying clown demon, IT tells a story nearly everyone knows now. And, while the new one is a fantastic entry in Stephen King's world, the original miniseries is quite the accomplishment that shouldn't be forgotten.

Review: Gerald's Game

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Often left to fill supporting roles or evil antagonist ones, middle-aged to older characters in horror movies are rarely central. Even films where the couple is older, their teenage kids are often the focus. Movies like Insidious brought a stronger sense of centrality with Lin Shaye's Elise, but even these characters are almost always left to be the mystical medium or ghost hunter. Bookshop owners, groundskeepers, parents; all of these titles are given to older actors and actresses in the horror industry. But where are the starring roles? Where are the roles featuring the childless couple stalked or haunted on a remote plot of land? Well, Gerald's Game offers just that.

Adapted from the 1992 Stephen King novel of the same name, Gerald's Game follows a couple looking to revitalize their relationship at a vacation home in rural Maine. Upon arrival, the pair encounters a large stray dog before the husband sweeps his wife into the bedroom. There, he spices up their intimate life and handcuffs her to the bed. He then proceeds to have a heart attack and die, leaving her trapped.

Gerald's Game stars Carla Gugino (Sucker Punch) and Bruce Greenwood (Hollywood Homicide) as Jessie and Gerald Burlingame. The pair works absolutely fantastic with each other, despite some visible age differences. Throughout the film, Gugino is the truest star, holding most of the dialogue, tension and plot on her back alone. She creates an accomplished character that entraps the viewer in her emotions and struggles. But, Greenwood is also great as a banter-providing vision in Jessie's slow descent into insanity.

Throughout the movie, viewers can expect to be horrified, disgusted and moved. Despite its single - although beautiful location - this movie provides quite a rollercoaster of emotion. As predictable as the dog's reappearance is, there's nothing placid about its mangy animal unpredictability and instinct. The inclusion of a man "made of moonlight" provides some terrifying and mysterious fodder to the thrilling story and the eventual attempts to escape makes for something brutal and wincing. The glossy and well-shot setting, dim and spooky, is perfect for the fall and by the film's end, audiences should feel sufficiently terrified. The film suffers a little from pacing, as many slow burn films do. But, it gives enough padding and direction to maintain interest; a testament to Gugino's abilities as an actor.

 

2017 could be named the year of Stephen King. With two successful adaptations already strong-arming the media industry this year, King's prolific work proves to transcend time. But, where IT found its sparkle in the courage of youth, Gerald's Game finds its strength in the perseverance of the experienced and well-traveled. It's a dark and brooding film with a soul that'll pull heartstrings and scare simultaneously. Gerald's Game is a slow-burn that'll leave you crispy. 7 out 10.