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Friday, February 17, 2017

Best in Show: Final Girls (Part II of II)



Image result for elizabeth shaw prometheu
(wildsoundmovies.com)
5. Elizabeth Shaw (Prometheus)
When I see or hear things about people's dislike for Prometheus I am stunned. From its visuals to its superb acting, there is really not much to complain about. What makes this matter even more questionable is the fact that the majority of the criticism comes from fans of the Alien franchise universe. Prometheus isn't some cheap, rehashed endeavor and it's certainly not bad, those that feel it is should feel equally ashamed that they feel that way. One of the strongest cases for Prometheus is its amazing final girl. Building on Ellen Ripley's archetype, Noomi Raplace's Elizabeth Shaw is stunning. Her nuanced prowess and ability to command every scene is nearly unparalleled. She's intelligent, driven and complicated. Her character is a multidimensional powerhouse that horror cinema should be thankful for. From the opening scenes to her attempts at escaping the mission that's gone awry, Shaw never falters.


Image result for erin hardesty
(wikia.com)
4. Erin Hardesty (Texas Chainsaw  Massacre)
How dare I put a remake so high on this list! And to not include the original? Condemnable, but ultimately true to my opinions. I'm here to declare that Jessica Biel's Erin is not only superior to the original Sally, but also far more believable in the role. Remakes get the worst rap, yet the 2003 remake of the classic slasher, The Texas Chainsaw Massacre is a rare and shining accomplishment, holding a candle to the 1974 version. Maybe not as revolutionary or stylistically strong, but the 2003 version is an incredibly scary adventure only propelled farther by Jessica Biel's best performance of her career. Jessica Biel's Erin is stronger and more unrelenting than Sally and every moment she's on screen viewers should be gripping their seats. Sorry, not sorry.



Image result for sarah the descent
(wordpress.com)
3. Sarah (The Descent)
The Descent is horrifying. By far one of the scariest movies in decades, The Descent has forever been engrained into my brain. And, while I would argue that each of the women featured in this movie are great additions to the stock of strong female characters in horror, the truest star is final girl, Sarah. Her struggles to cope with the loss of family paired with a crazed survival instinct make her beyond entertaining. Her willingness to do literally anything to escape the cave is pretty outstanding (and gory). Sarah is often overlooked on best lists of final girls but I would argue that she is by far one of the best.



Image result for ellen ripley
(fanpop.com)
2. Ellen Ripley  (Alien)
One of the original, and most prolific final girls of all time is Sigourney Weaver's Ellen Ripley, This of course is for good reason. Where others may be reactionary in space situations, every move made by Ripley is proactive. She's determined and vicious; an unrelenting character with little flaw. If I was ever trapped in space, I would 100% want her on my side. In fact, I wish I had her by my side at all times. Imagine the security you would feel. Ripley is physically and mentally one of the strongest final girls ever and she is definitely the feminist icon we all need every day.



Image result for sidney prescott
(wikia.com)
1. Sidney Prescott (Scream)
I think if one character beats out Ellen Ripley for the title of final girl, it has to be Sidney Prescott from Scream. I'm sorry to everyone who feels hurt by this statement, but Sidney is not only the first name that came to my head when I thought of good final girls, but is also the only one who knows pretty much the whole time that she is, in fact, the final girl. Her self-awareness and planning skills, one liners and ability to protect or attempt to protect those closest to her is undeniable. Sidney Prescott is the final girl to end final girls and she will never be matched. She is essential to the trope and in every iteration of the trope; she is the one to look to for iconography because Sid is the icon.

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