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Monday, April 17, 2017

Review: FirstBorn


FirstBorn Poster
(imdb.com)
Netflix has one of the best horror selections on streaming services. From acquisitions of The Babadook to random finds like Last Shift, there are numerous, worthwhile options. But, despite all of the adequate options, there are almost an equal number of bad options. Nothing encapsulates this dilemma more than FirstBorn. Among some of the most prominent films on the site, FirstBorn sticks out as a sore thumb.

Whereas, Netflix had seemingly dropped the bad-horror shtick as their choices got better and competitors like Amazon Prime fell out of the race, FirstBorn is a strange addition and one Netflix should remove. Of course this movie isn't the only bad horror movie on Netflix but the permanence of it on every tab will undoubtedly give viewers pause as to whether it'll be worthwhile or not. Well, it's not.

FirstBorn is tepid. Poorly written and most offensively, not scary, it fails on numerous, grating levels and one should wonder how much the service paid to have this movie on their site. The film follows a young couple whose first child brings along some demons after birth. It's not a groundbreaking idea, but where somewhat unoriginal movies have overcome these creative shortcomings with new styles, scares and storytelling, FirstBorn feels like a sad, boring rehash of movies like Insidious.

FirstBorn stars Antonia Thomas (Misfits) and Luke Norris (The Duchess) as the new parents. They seek the help of Elizabeth, played by Eileen Davies (Sightseers). Each play their role as leveled and fulfilling as expected, given the weak script and rehashed ideas. No one is particularly bad, but most certainly no one is particularly good. As noted, this film could have done a lot with old ideas. Many horror movies aren't spectacularly new but, at the very least, they should offer a new point of view.

This movie is cringe-worthy throughout. It's reliance on sharp, loud noises are more distracting and removing than jump-inducing and the use of any atmosphere building is entirely absent. By the film's end, any viewer who is still awake deserves a prize. Its blatant mediocrity is offensive and without any stimulation, it becomes a true snooze. So, save some time and rewatch The Babadook for the eightieth time, no judgment necessary.
 

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