(imdb.com) |
While deeply realistic, Hounds of Love is most certainly
a horror movie. Telling the unnerving story of a girl horrifically kidnapped in
Perth, Australia, Hounds of Love is dark and disturbing. Set in the 80s,
Hounds of Love greatly benefits from its use of toxically dated
furniture and costumes. The meticulously chosen set pieces ground the film in
reality.
The film stars Emma Booth (Introducing the Dwights) and
Stephen Curry (The King) as kidnappers Evelyn and John, and
Ashleigh Cummings (Razzle Dazzle: A Journey into Dance) plays Vicki, the
young kidnap victim. Each of the three is stunningly perfect; immersing
themselves in their respective roles and truly committing to the film's stark
plot. Booth and Curry are especially good at showcasing the intrinsically
disturbed nature of their relationship. Their toxic relationship is brilliantly
elaborated on and as the film progresses, audiences are sure to be drawn in.
While absent of any supernatural occurrences or otherworldly
creatures, Hounds of Love is still a truly terrifying showcase of real
monsters are right before your eyes who are startlingly human. Hounds of
Love will undoubtedly turn off some given its explicit and graphic content,
but for those who can stick with it, the movie's compelling character study
should offer more than enough. Each moment of the film heavies the heart more
but thankfully, these moments never feel hopeless. Throughout the movie, the
filmmakers provide enough disruptions in the downtrodden cycle of torture to
illuminate glimmers of hope, thus ensuring that the viewers who stuck around
after the premise aren't left with turned stomachs.
Hounds of Love is dark and unsettling, but it's also terrifically well-done.
It's portrayal of a volatile relationship and troubled characters won't make viewers
feel sympathy, but it will engross them in their story. It's the type of
movie that never feels advantageous or tacky; choosing to focus on the
characters and their roles, rather than grossly explicit scenes. Hounds of
Love is a perfectly done film in the vein of movies like Nocturnal
Animals. It's far superior to similarly disturbing but
ultimately trashy films like Wolves at the Door, and is most definitely
worth the watch.
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